翻訳と辞書 Words near each other ・ African-American Film Critics Association Awards 2013 ・ African-American Film Critics Association Awards 2014 ・ African-American folktales ・ African-American hair ・ African-American heritage of United States presidents ・ African-American Heritage Sites ・ African-American historic places ・ African-American history ・ African-American history of agriculture in the United States ・ African-American leftism ・ African-American literature ・ African-American lobby in foreign policy ・ African-American middle class ・ African-American music ・ African-American Music Appreciation Month ・ African-American musical theater ・ African-American mutinies in the United States Armed Forces ・ African-American names ・ African-American neighborhood ・ African-American News and Issues ・ African-American newspapers ・ African-American officeholders in the United States, 1789–1866 ・ African-American organized crime ・ African-American representation in Hollywood ・ African-American studies ・ African-American Tony nominees and winners ・ African-American upper class ・ African-American Woman Suffrage Movement ・ African-American Women for Reproductive Freedom ・ African-American women in politics Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク African-American musical theater ： ウィキペディア英語版 African-American musical theater African-American musical theater relates to the historic musical theater of the African American community, particularly prominent in New York City during the first half of the 20th Century. ==Early History== Before the late 1890s, the image portrayed of African-Americans on Broadway was a "secondhand vision of black life created by European-American performers."〔Allen L. Woll, ''Black Musical Theater: From Coontown to Dreamgirls.'' Baton Rouge, LA: Louisiana State University Press, 1989; pg. 1.〕 Stereotyped "coon songs" were popular, and blackface was common. Will Marion Cook and Bob Cole brought black-written musical comedy to Broadway in 1898. Cook's ''Clorindy, or The Origin of the Cake Walk'', an hour-long sketch that was the first all-black show to play in a prestigious Broadway house, Casino Theatre's Roof Garden. Cole's ''A Trip to Coontown'' was the first full-length New York musical comedy written, directed and performed exclusively by blacks. The approach of the two composers were diametrically opposed: Cole believed that African Americans should try to compete with European Americans by proving their ability to act similarly on- and offstage, while Cook thought African Americans should not imitate European Americans but instead create their own style. Bob Cole and brothers John Rosamond Johnson and James Weldon Johnson focused on elevating the lyrical sophistication of African American songs. Their first collaboration was "Louisiana Lize", a love song written in a new lyrical style that left out the watermelons, razors, and "hot mamas" typical of earlier "coon songs."〔Woll, ''Black Musical Theater,'' pg. 15.〕 Cole and the Johnson brothers went on to create musicals such as ''The Belle of Bridgeport'', ''The Red Moon'' (with Joe Jordan), ''The Shoo-Fly Regiment'', ''In Newport'', ''Humpty Dumpty'', and ''Sally in Our Alley'' (featuring Bob Cole's "Under The Bamboo Tree"). Bob Cole's suicide in 1911 ended "one of the promising musical comedy teams yet seen on Broadway". 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「African-American musical theater」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.